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| [#3990] Grieg's piano sonata and Cello sonata Last night, listened to Grieg's piano and Cello sonata, Grieg's music was always delightful and tuneful, and these two works are no exception, its lovely melody is heart melting from the very beginning, wonderful playing by native Norway player in clear and vivid digital sound.  |
chankaiming 正式會員220.xxx.xxx.69 |
2008-04-15 09:15 | |
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| [#3991] 回覆(40):Bohm 早晨... 繼續聽邦叔。情緒拉得很緊張不安的一個演奏(未完成)。  |
邊個邊個 正式會員 158.xxx.xxx.114 |
2008-04-15 09:22 |
| [#3992] Verdi's La Traviata Listened to Act I of La Traviata last night, the famous recording with Carlo Kleiber on the podium and Cotrubas as Violetta, Domingo as Alfredo. In contrast to most Traviata recording, the star in this recording was Carlo Kleiber, his energetic dramatic conducting made this recording of Traviata a most exciting one. Cotrubas sang beautifully, but she is not Callas or Sutherland, her acting of Violetta was by no means as moving as Callas and her voice was not as smootha as Sutherland, Domingo did not have enough chance to show his trick in act one, I would comment later. Incidentally, I also have Sutherland's earlier version, Callas' version with Giulini and Gheorghiu's version with Solti on DVD, it seems that I will have a busy week.  |
chankaiming 正式會員 220.xxx.xxx.69 |
2008-04-16 09:29 |
| [#3993] 回覆(40):Bohm 邊個邊個 Karl Bohm's recording of Schubert symphony was one of the best, I especially love his Fifth symphony. If you want another version, I highly recommend Beecham's version on EMI.  |
chankaiming 正式會員 220.xxx.xxx.69 |
2008-04-16 09:32 |
| [#3994] 回覆(40):Bohm 早晨.... 擒晚繼續睇邦叔隻documentary dvd，全長五十幾分鐘。當中有頗多珍貴/過癮片段.... 其中一幕訪問Walter Berry提及當年他廿五歲(1954)第一次同邦叔合作老莫Don Giovanni，排演時因冇帶眼鏡睇唔清楚指揮的提示(動作好細)，他建議邦叔照常右手指樂團，左手可動作大一點給他提示...話猶未了，突覺樂團鴉雀無聲一片死寂，跟著見bohm滿臉通紅大聲咆吼："$#$%^%$...這傢伙竟教我指揮？！"。此事如何了結已不重要，由此卻開展了他兩多年的合作關係和深厚交情。 另外亦有卡爺借中國哲學讚邦叔指揮藝術達到「無為」境界都幾得意，至於是否言不由衷就無從稽考了。 |
邊個邊個 正式會員 158.xxx.xxx.114 |
2008-04-16 11:21 |
| [#3995] 回覆(40):Bohm 卡爺, 我不太抗拒他, 如這隻 string serenade 是我耐不耐就會聽下既碟. 若果你不接受舖排到此程度, 是絕對有理由不鍾意此碟的. 但若你能接受到舖排修飾帶來的美艷, 則多半會讚嘆那精妙絕倫之陳設, 強弱層次快慢的安排, 那麼刻意但過癮的情感化加添.... 就如吃得清淡是常掛咀邊的健康箴言, 但檸轉背咀巴已在嚼那肥美濃郁之食多的是. 卡爺此碟於我是成左, 至少能吸引我耐不耐就會轉頭聽下.  |
lym 正式會員 219.xxx.xxx.222 |
2008-04-16 20:06 |
| [#3996] 回覆(40):Bohm 布拉姆斯：第二號鋼琴協奏曲 DECCA SXL 6322 / 1967 年 Karl Bohm Wilhelm Backhaus Vienna Philharmonia Orchestra My all-time favourite!  |
george1977 正式會員 219.xxx.xxx.162 |
2008-04-17 00:15 |
| [#3997] 回覆(40):Bohm 莫札特：安魂曲 DG 2530 143 / 1971 年 Karl Bohm Vienna Philharmonia Orchestra "Must" if you really really like Mozart Requiem  |
george1977 正式會員 219.xxx.xxx.162 |
2008-04-17 00:20 |
| [#3998] 回覆(40):Bohm “是貝姆，還是卡拉揚？ ”--- 此一話題在老一輩樂友間的爭議由他倆生前到墓樹已拱仍爭論不休，貝姆雖比卡拉揚年長九歲，但懂得運用時機的卡拉揚終生都享有較高的名與利( 例如貝姆在戰時從未加入納粹，卡拉揚為示忠貞，竟曾先後入黨三次...)，雖然如此，他們兩人私底倒是下相處甚歡，卡拉揚知道貝姆有收集時鐘的嗜好，於是在貝姆 80 歲生日時便特地送一只時鐘給他，並約定 90 歲生日時還要再送一只( 請原諒卡拉揚，他不是咱們中國人或臺灣人...不知道不可以隨便給人送鐘…)。我不覺得誰有資格來分辨二者的優劣，但若就他們二人經常演奏或錄製的唱片曲目來區分，貝姆大多只演奏德奧樂派及少數他自己喜歡的作品( 如柴可夫斯基的四、五、六號交響曲，德弗札克的新世界交響曲，史特拉汶斯基的”火鳥”等 )，而卡拉揚則由巴洛克到現代無所不包，一個像錙銖必較的精品店掌櫃，另一位則像貨暢其流的大盤商。 相信只要看過貝姆指揮的影片，您一定會將他與“正經八百”四個字掛上等號( 貝姆自己也認為他和文豪歌德一樣的正經 )，現任芝加哥交響樂團音樂總監同時也是知名鋼琴家的巴倫波英( Daniel Barenboim, 1942-) , 他老兄將在 2007 年接任義大利史卡拉歌劇院總監 )曾提供一則故事 ：巴倫波英這輩子所聽到第一齣歌劇是 1952 年貝姆在薩爾茲堡所指揮的“魔笛( Die Zauberflote )”，當時他才九歲，正舉家由南美遷徒至以色列，恰有機會在此暫留，或釵]旅途勞累，音樂會開始後不久巴倫波英便睡著了，多年後巴氏已成為鋼琴家，並有機會和貝姆在薩爾茲堡合作，於是他興致勃勃的訴說這段往事時，貝姆不但沒有笑，反而惱怒他缺乏音樂修養，這時巴倫波英才深深體會 --- 原來要領悟貝姆的幽默還是只有到他的音樂中尋找。 貝姆於 1974 年與柏林愛樂彩排貝多芬第九號交響曲之場景。  |
george1977 正式會員 219.xxx.xxx.162 |
2008-04-17 00:22 |
| [#3999] :Bohm While Bohm's repertory is certainly not nearly as large as Karajan's, it had a wider scope than we usually think. He just was not recorded in many things. I love his Tchaikovsky and Dvorak! |
doctorjohn 正式會員 207.xxx.xxx.253 |
2008-04-17 04:56 |
| [#4000] :Karajan 早晨.... 帝皇過身後有一段日子給"Celi"、"Wand"黨踩得很盡；但藝術本質就是多元，不應存在甚麼東風壓倒西風政治考慮。潮流過盡，卡爺的金漆招牌還是有他的斤O。 尤喜他信手拈來的輕鬆小品，有品味脂粉得不著痕跡。  |
邊個邊個 正式會員 158.xxx.xxx.114 |
2008-04-17 09:36 |
| [#4001] :Karajan Recently brought a few Karajan CD will have a nice time with Karajan. I really love the cover, wonderful painting by Claude Monet. This painting have been exhibited in Hong Kong 2 years ago, impressive painting of the joy in Paris after French revolution.  |
chankaiming 正式會員 220.xxx.xxx.69 |
2008-04-17 10:35 |
| [#4002] :Karajan too big.  |
chankaiming 正式會員 220.xxx.xxx.69 |
2008-04-17 10:37 |
| [#4003] La Traviata Last night, listened to ActII and III of La Traviata by Carlo Kleiber and Cotrubas. Cotrubas was a miserable and vulnerable Violetta, she sang with tears in the 2 nd and third act. Domingo sang with a ringing compassionate voice, but La Traviata is a opera for soprano, tenor usually act as a supporting cast only. Carlos Kleiber once again conducted with a energetic dramatic manner. Recording by DG was vivid, with wonderful 3D sound stage, a treasurable set of Traviata |
chankaiming 正式會員 220.xxx.xxx.69 |
2008-04-17 10:52 |
| [#4004] La Traviata hello CKM, La Traviata by Carlo Kleiber and Cotrubas is my favorite opera set. My copy is LP. There are a number of passages I like, for example, the ending of track 19 of CD 1 (Act 2 - "Che fai?" "Nulla") http://www.amazon.com/Verdi-Traviata-Cotrubas-Bayerisches-Staatsorchester/dp/B000001G5W/ref=sr_1_1?ie=UTF8&s=music&qid=1208446464&sr=1-1 |
erictang 正式會員 218.xxx.xxx.104 |
2008-04-18 01:02 |
| [#4005] Die Fledermaus 早晨... 這盒東東從ebay買回來幾年都未正式聽過。 週末都係時候要學下聽少少歌劇。  |
邊個邊個 正式會員 158.xxx.xxx.114 |
2008-04-18 11:03 |
| [#4006] mozart Listened to Mozart violin concerto 5 K219 by Zukerman with Barenboim at the podium directing the ECO. This Columbia was made when Zukerman was 22 and Barenboim 28. Despite his young age Zukerman took a rather reticent approach and his style a model of cultivation,however for this piece I would like a more lively and freer playing such as that by Mutter when she was 14. But you would not find fault with his technique nor his violin tone which was robust and sweet. Of the few versions that I listened lately,Sneiderhan,Szyring,Mutter, I still prefer Milstein with his natural approach, aristocratic style and pure tone, that is hard to resist. |
kh33 正式會員 219.xxx.xxx.180 |
2008-04-18 18:39 |
| [#4007] Mahler Just listened to Mahler Symphony No. 8 played by Chicago Symphony Orchestra conducted by Solti. This is my first listening to this big piece in one go.  |
erictang 正式會員 218.xxx.xxx.104 |
2008-04-19 18:54 |
| [#4008] Mahler I also have trouble with the 8th. No trouble at all with the slow but powerful Giulini 9th!!!!! |
doctorjohn 正式會員 12.xxx.xxx.253 |
2008-04-21 03:38 |
| [#4009] Strauss Any doubt as to Karajan's excellence as a STRAUSS conductor can be dispelled by listening to Karajan's work with the VPO. It has been a long time since I listened to TILLEULENSPIEGEL. It just doesn't work on small speakers like LS3/5a or big speakers that are slow. However, this morning playing this through a LONDON LP just shocked me out of my chair, big and bold, so much energy, what magnificence! It's not Strauss if it doesn't sound that way! Death and Transfiguration is superb too!  |
doctorjohn 正式會員 12.xxx.xxx.253 |
2008-04-21 03:47 |
