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| 影音天地主旨 ﹝請按主旨作出回應﹞ | 寄件者 | 傳送日期
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| [#1] Sound reproduction - extracts & reflections R33好少講下音響書。幾年前睇過呢兩本書。今日隨便翻看一下，發覺已經有啲係完全唔記得。希望未來一段日子可以係咁意重讀一下，搵啲精粹又或者有趣部份分享一下。不時更新咁。  |
zbigniew821 正式會員116.xxx.xxx.133 |
2015-07-24 18:37 | |
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| [#2] Sound reproduction - extracts & reflections The other one  |
zbigniew821 正式會員 116.xxx.xxx.133 |
2015-07-24 18:38 |
| [#3] Sound reproduction - extracts & reflections In CHAPTER 2 Preserving the Art of Sound reproduction, it mentions an interesting piece of research. The gist is: "The result of 250 frequency response measurements made at the engineer’s location in many recording control rooms, using functionally similar Genelec loudspeakers". 250 frequency response measurements! At various studios, using similar Genelec speakers. A lot of research workload. The result is startling. Different studios have widely different frequency responses. The author has not specified how prestigious these studios are. But it does point to the fact that how bad mastering may be achieved in some studios. The author goes on to talk about ...  |
zbigniew821 正式會員 116.xxx.xxx.133 |
2015-07-24 18:42 |
| [#4] Sound reproduction - extracts & reflections what they call the “circle of confusion”. It means there is a circle of people involved in any sound reproduction chain. ONE KEY factor is the studio and professionals. The attached paragraphs explains very well how chaotic the standard could be given different studio responses, how music is produced in these studios as different 'references', and how these 'references' by individual professional are used to be wrong references (for their own) and perpetuate their own mis-mixing job. Of course another factor is consumer's speakers. But we're more familiar with this critique though.  |
zbigniew821 正式會員 116.xxx.xxx.133 |
2015-07-24 18:46 |
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