兩聲道
CD機 | MD機 | SACD機 | DAC | CAS | 合拼擴音機 | 前級擴音機 | 後級擴音機 | 接線 | 喇叭線 | 揚聲器 | 耳機 | 耳機擴音機 | LP產品 | 膽機產品 | 開卷式錄音機 | 音響配件 | DIY音響 | 電源 | 家庭影院
電視機 | 投影機 | 錄影機 | DVD影碟機 | Blu-ray影碟機 | 多媒體播放器 | 機頂盒 | 多聲道擴音機 | 多聲道揚聲器 | 多聲道影音組合 | Mini音響組合 | 重低音揚聲器 | 輔助設備 | 同好會
同好會 | Accuphase | B&W | Burmester | Denon | Jadis | KEF | KRELL | Luxman | Marantz | Nuforce | OPPO | Pioneer | TEAC | WEISS | News
News | Blog | 其他
其他 | 所有 |
| 影音天地主旨 ﹝請按主旨作出回應﹞ 下頁 尾頁 | 寄件者 | 傳送日期
|
| [#264] 沒聽過現場交響音樂會的人，先別奢談什麼 Mr.Children - しるし 中文字幕 Mr.Children - しるし ( 印 記 ) X Japan - Tears (日文/繁中字幕 Japanese /Taiwanese Mandarin subtitles) Tears (HD) - 5/12 2010.08.15 X JAPAN WORLD TOUR Live in YOKOHAMA 最後修改時間: 2015-07-22 13:51:23 |
georgefwy1977v2 正式會員223.xxx.xxx.22 |
2015-07-22 13:47 | |
|
|
|||
[#263] 沒聽過現場交響音樂會的人，先別奢談什麼  陳綺貞-漂著 陳綺貞演唱會高清MV 太陽 Live現場版 陳綺貞 － 一起去巴黎 "A piece of summer II"演唱會 最後修改時間: 2015-07-22 13:38:33 |
georgefwy1977v2 正式會員 223.xxx.xxx.22 |
2015-07-22 13:23 |
[#262] 沒聽過現場交響音樂會的人，先別奢談什麼  THOUGHTS ON THE “ABSOLUTE SOUND” AND PERCEIVED MUSICAL REALISM (PART 1) http://www.theabsolutesound.com/articles/thoughts-on-the-absolute-sound-and-perceived-musical-realism-part-1/  最後修改時間: 2015-07-22 12:50:52 |
georgefwy1977v2 正式會員 223.xxx.xxx.22 |
2015-07-22 12:50 |
[#261] 沒聽過現場交響音樂會的人，先別奢談什麼  Another Edison Tone Test where extraneous biases related to sight and smell may have compromised the results based on the large number of listeners covering their noses. Perhaps a bad case of singer's halitosis made it possible to identify the live performance from the recorded one based on smell alone? Why Live-versus-Recorded Listening Tests Don't Work http://seanolive.blogspot.hk/2010/07/why-live-versus-recorded-listening.html 最後修改時間: 2015-07-22 12:45:34 |
georgefwy1977v2 正式會員 223.xxx.xxx.22 |
2015-07-22 12:45 |
[#260] 沒聽過現場交響音樂會的人，先別奢談什麼  http://www.meridian-audio.info/public/intpw%5B1858%5D.pdf 最後修改時間: 2015-07-22 12:01:22 |
georgefwy1977v2 正式會員 223.xxx.xxx.22 |
2015-07-22 12:01 |
[#259] 沒聽過現場交響音樂會的人，先別奢談什麼  理性與感性，數位對類比（上） http://audioart.audionet.com.tw/121/%E5%99%A8%E6%9D%90%E8%A9%95%E8%AB%96/accuphase%20dg28.htm Cello Audio Palette MIV http://audioart.audionet.com.tw/0Review2002/076/Equipment/02Cello.htm 最後修改時間: 2015-07-22 11:57:30 |
georgefwy1977v2 正式會員 223.xxx.xxx.22 |
2015-07-22 11:57 |
[#258] 沒聽過現場交響音樂會的人，先別奢談什麼  Perfecting Tonal Balance in Mastering Home Recordings http://www.dummies.com/how-to/content/perfecting-tonal-balance-in-mastering-home-recordi.html Getting That Tonal Balance: What EQ Can Do For A System & Mix http://www.prosoundweb.com/article/getting_that_tonal_balance_what_eq_can_do_for_a_system_mix/ 最後修改時間: 2015-07-22 11:53:44 |
georgefwy1977v2 正式會員 223.xxx.xxx.22 |
2015-07-22 11:52 |
[#257] 沒聽過現場交響音樂會的人，先別奢談什麼   Actually Peter Walker, the founder of Quad Acoustics who invented quality bullet-proof amplifiers for domestic and BBC as well as electrostatics speakers (ESL57 Original and ESL63), once said that the recording engineers nowadays messes up the sound with the recording by introducing more intrusive approach and gadgets : limiters, compressors, graphic equalizer and squashers in order to fit the needs of car audio owners for the sake of dynamic compression. XXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX Hereunder are some excerpt being quoted from the interview of Peter Walker (PW) by John Crabbe (JC) and John Atkinson (JA, editor of Stereophile) JC/JA : Peter was then prompted into some discussion of the pros and cons of using a separate stand for the ESL-63, which led him to consider the sort of people who buys his speakers. PW: It is the musical people who appreciate the speaker more than the hi-fi nuts. It’s not as bad as ten or twenty years ago, but people still look at speaker specs in magazines and compare the frequency range: they believe that one which goes down to 30Hz and up to 20kHz must be better than one that goes from 40Hz to 18Hz, which you and I know is quite wrong. A speaker is good or bad a long time before it’s got to 10kHz. Let’s be honest about it, there are still a lot of people in Hi-Fi who go for the impressive sound rather than the music. But others you get who are interested in the music, and who really don’t want to get involved in hi-fi as such; yet they can appreciate good quality reproduction when they are offered it. Oh yes, a different type of customer who listens in a different kind of way – he listens to the music. XXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX JA : To change the subject totally to the other end of the scale, how do you know when enough improvement is enough improvement? How do you know when the returns become vanishingly small? PW: That’s a very difficult question, very difficult. When you sit down and get all there is out of the music I suppose, but that’s a silly answer because it’s not satisfactory. I’d like to know. I like to have it more and more real, perhaps because we are involved in it and therefore it is our objective to make it better. “There’s the flute!” Wonderful clarity in there, we like to just a little better, that sort of thing. Maybe it’s us that’s wrong, maybe the musician will say :”that’s fine, I can hear all the parts, I can hear their balance, the rapport they have one to another. What else is there for me to have? Nothing, except to see them. He might well be nearly right FULL ARTICLE , please read: Peter Walker interviewed by John Crabbe and John Atkinson @ HiFi News and Record Review (July 1982) http://quadrevisie.nl/quadinfo/pdf/a24.pdf 最後修改時間: 2015-07-22 11:48:31 |
georgefwy1977v2 正式會員 223.xxx.xxx.22 |
2015-07-22 11:44 |
| [#256] 沒聽過現場交響音樂會的人，先別奢談什麼 陳綺貞演唱會高清《Self》Live現場版 陳綺貞 - Self (HQ 原版MV) |
georgefwy1977v2 正式會員 223.xxx.xxx.22 |
2015-07-21 18:47 |
[#255] 沒聽過現場交響音樂會的人，先別奢談什麼  陳綺貞A PIECE OF SUMMER Ⅱ 夏季練習曲《天天想妳》 陳綺貞A PIECE OF SUMMER Ⅱ 夏季練習曲《讓我想一想》 陳綺貞 | A Piece Of Summer II 香港站 | 旅行的意義 (Classic Version) 陳綺貞 - Sentimental kills (Official Music Video) 最後修改時間: 2015-07-21 18:42:22 |
georgefwy1977v2 正式會員 223.xxx.xxx.22 |
2015-07-21 18:42 |
[#254] 沒聽過現場交響音樂會的人，先別奢談什麼  2004和2005年的交接時，陳綺貞號召了目前最頂尖也最有熱情創意的幾位音樂人，將這三年當中陳綺貞的創作用兩個禮拜的時間同步錄音完成，遠赴北京錄製弦樂，再到美國杉磯邀請到替Pink Floyd 的唱片做母帶後期處理的大師 Dough Sax 來為專輯做最後最完美的呈現過程中有所顛覆，有所啟發，一路醞釀完成了這份充滿藝術氣質的禮物！ 從陳綺貞的指尖出發，經過了這麼長的時間，這麼遠的旅行，再加上她即將在十月兩場「花的姿態」演唱會，睽違三年全新創作《華麗的冒險》，勢必造成樂壇與歌迷熱烈討論與期待。 55 華麗的冒險 推薦人：林怡宏 歌手：陳綺貞 製作人：鐘成虎 錄音師：樊乃綱 母帶後期製作：Doug Sax 唱片編號：AVCCD90072 唱片公司：紫米音樂 代理：艾迴音樂 音響性：5 音樂性：5 曲目：1旅行的意義 2腐朽 3Sentimental Kill 4華麗的冒險 5太多 6花的姿態 7Self 880％完美的日子 9表面的和平 10靜靜的生活 11最初的起點 這張「華麗的冒險」，製作人重任以及專輯中所有吉他演奏部分，交給製作經驗老道的鐘成虎負責，弦樂部分則請來北京國家交響樂團與北京愛樂交響樂團伴奏，錄音工程師由樊乃綱擔綱，混音交由楊大緯操刀，關鍵的母帶處理一樣交給大師級的Doug Sax處理 最後修改時間: 2015-07-21 17:26:02 |
georgefwy1977v2 正式會員 223.xxx.xxx.22 |
2015-07-21 17:24 |
| [#253] 沒聽過現場交響音樂會的人，先別奢談什麼 I really enjoy the closing in Glasgow and I have it converted into my iTune as well. |
fotheringay 正式會員 109.xxx.xxx.41 |
2015-07-21 16:59 |
| [#252] 沒聽過現場交響音樂會的人，先別奢談什麼 George, |
fotheringay 正式會員 109.xxx.xxx.41 |
2015-07-21 16:47 |
| [#251] 沒聽過現場交響音樂會的人，先別奢談什麼 If you like indie pop/rock. this is it, listen and embrace XXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX  懷舊專題／音樂哲學家陳綺貞 華麗的冒險旅程 https://tw.celebrity.yahoo.com/news/%E6%87%B7%E8%88%8A%E5%81%B6%E5%83%8F-%E9%9F%B3%E6%A8%82%E5%93%B2%E5%AD%B8%E5%AE%B6%E9%99%B3%E7%B6%BA%E8%B2%9E-%E8%8F%AF%E9%BA%97%E7%9A%84%E5%86%92%E9%9A%AA%E6%97%85%E7%A8%8B-103402888.html 陳綺貞：路被堵住，就想辦法走出另一條！ http://www.parenting.com.tw/article/5020957-%E9%99%B3%E7%B6%BA%E8%B2%9E%EF%BC%9A%E8%B7%AF%E8%A2%AB%E5%A0%B5%E4%BD%8F%EF%BC%8C%E5%B0%B1%E6%83%B3%E8%BE%A6%E6%B3%95%E8%B5%B0%E5%87%BA%E5%8F%A6%E4%B8%80%E6%A2%9D%EF%BC%81/ 陳綺貞：另類經營，引爆歌迷超高消費力 http://www.cw.com.tw/article/article.action?id=5013058# 陳綺貞 華麗的冒險 發行日期：2005/09/24 / 唱片編號：TEM01001 號召數位頂尖且富熱情創意的音樂人，選擇了一般流行唱片較少採用的樂團現場錄音方式，設備與隔音不比專業錄音室，在有限資源下完成的精緻作品。 被知名的「音樂論壇雜誌」譽為「最佳錄音典範」。 最後修改時間: 2015-07-21 14:05:26 |
georgefwy1977v2 正式會員 223.xxx.xxx.22 |
2015-07-21 14:01 |
| [#250] 沒聽過現場交響音樂會的人，先別奢談什麼 陳綺貞 - 旅行的意義 (Live)(HQ) 陳綺貞 還是會寂寞 陳綺貞演唱會高清 告訴我(Live 版) 陈绮贞演唱会高清MV 太阳 Live |
georgefwy1977v2 正式會員 223.xxx.xxx.22 |
2015-07-21 13:40 |
| [#249] 沒聽過現場交響音樂會的人，先別奢談什麼 I prefer the 2nd one but I have no idea how it should sound when being recorded. Very good demo. Not to offend anyone. I just found this passage fits the use of EQ to your own 'taste', occasionally for some; and perhaps good for different recordings if you have the knowledge for not overdoing it. Source: http://www.high-endaudio.com/supreme.html "IMPORTANT DISTINCTION ABOUT "TONAL BALANCE" Despite what has been written and proclaimed for years by others, to the point of nausea, the correct tonal balance of a recording is not as important as the correct tonal balance of an audio component or "system". Why not? There is no "absolutely correct tonal balance", it changes depending on where, and even when, the instrument, including a voice, is recorded. So when (not if) it is altered, slightly, in a recording, it is still well within the realm of normal, or "natural", and shouldn't draw attention to itself. However, a noticeable tonal alteration within a component or a system has very different implications. This circumstance will mean that every single piece of music played through that system will contain that same alteration, or "coloration". The resulting sound will eventually become predictable and monotonous, which are the deadly "enemies" of the appreciation and enjoyment of music. In effect, there is a major difference how a critical listener relates to something that lasts only 20 to 50 minutes, and something that is "permanent". Analogy- The taste of curry, weak or strong, is natural in an Indian restaurant, and something to look forward to, but what if (even a little) curry was in everything, all the time? A person may eventually curse the day they first tasted it. That is why a typical recording, which must sound at least somewhat "different" from the others, is interesting, while a system with that exact same "difference", which would be audible on every single recording, will be the formula for an inevitable and profound discontent." |
zbigniew821 正式會員 116.xxx.xxx.133 |
2015-07-19 20:35 |
| [#248] 沒聽過現場交響音樂會的人，先別奢談什麼 #247 fair enough. Tks |
geeboo 正式會員 123.xxx.xxx.161 |
2015-07-16 21:10 |
| [#247] 沒聽過現場交響音樂會的人，先別奢談什麼 Thanks for the question. If you ask with regards to the oroginal recording or the intented performance. The simple answer is I don't know. I could only give you the different recirdings I made in my listening room with my DSLR built-in mic and a TASCAM digital recorder. |
fotheringay 正式會員 81.xxx.xxx.90 |
2015-07-16 20:34 |
| [#246] 沒聽過現場交響音樂會的人，先別奢談什麼 #243 So which is more close to the original playing [I am not asking which is more pleasing to the ears] ? Tks |
geeboo 正式會員 123.xxx.xxx.161 |
2015-07-16 12:28 |
| [#245] 沒聽過現場交響音樂會的人，先別奢談什麼 MUZIK 最後修改時間: 2015-07-16 12:09:39 |
georgefwy1977v2 正式會員 223.xxx.xxx.22 |
2015-07-16 12:09 |
