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[#2466] Linn LP12 Fans    
#2465 如果唱盤唔係擺喇叭之間,打開蓋+bottomless都無妨,但聲音好易受環境干擾好多細節走咗
juliushui
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104.xxx.xxx.135
2025-08-19 02:18
[#2465] Linn LP12 Fans    
又有說turntable 冚蓋會令啲聲侷促
jimmy4167
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219.xxx.xxx.214
2025-08-19 00:22
[#2464] Linn LP12 Fans    
其實LP12真係冇咁多玄學。如果跟足manual砌用足原裝件,睇埋Cymbiosis教學,個聲唔會爭得遠,亦近乎一勞永逸唔駛調較,但當然大部分人都係唔會睇manual(有幾多會一手入一手砌)

最簡單好多人bottomless好聲啲,啲聲係會放咗但distortion都多咗,個聲嘅表現會變得難估計,一改咗結構打破平衡有好多其他嘢都難計。

又其實suspension 3個點重量唔同,要level platter、臂板唔會有幾個combinations。臂板唔level vta、vtf錯,支臂平衡又錯,所以我唔係好明點解會有好多較法。如果因為較錯而覺得好聲咁真係好subjective。Suspension最終目的係要isolate platter、唱臂、唱針將外來影響減至最低,從而讀取最多碟上嘅資料(特別microdynamic)

LP12企嘅架又要講究,重型架唔用Trampolin啲聲會好死,manual有寫。又LP12 老細Ivor係建議襟蓋聽以將RF降低加強音質,AB吓就知

變成玄學因為私下改打破咗結構,得此失彼後又要加啲嘢補返,越搞越多形成LP12玄學
juliushui
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172.xxx.xxx.37
2025-08-18 04:19
[#2463] Linn LP12 Fans    
#2461 like what #2459 said it’s indeed clearly stated on manual of LP12, that the springs are served as suspension and the only thing they do is to level the platter (so that a result like floating), and tighten according to weight distribution of the 3 positions. Any so called ‘fine-tuning’ are out of this scope and mostly subjective, that shall lead to worse performance, or say it’s not what Linn expects a LP12 working like.

I mean, IME you shall only attain the right levelling and bounce through proper spring tension adjustments. Headroom of ‘fine tuning’ is minimal. And I wonder whoever said ‘preference of suspension adjustments’ knows the importance of a levelled platter?
juliushui
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146.xxx.xxx.13
2025-08-18 03:56
[#2462] Linn LP12 Fans    
請問一般幾耐需要更換三條彈弓?
另外,大約幾耐需要加bearing油?
micromegamah
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45.xxx.xxx.33
2025-08-15 10:29
[#2461] Linn LP12 Fans    

At the end of the day, we all take something from the discussions and I really appreciate it.

To be honest with you I am "Half Full" kind of person when comes to Audiophile world because I don't have enough resources and experience to elaborate all the finest details. Most are being quoted from other sources from the net which I choose to be more objective and evidence based opinion, if any.

I think we should use our gears to enjoy music, and not to disapprove the joy of whole experience of using hardwares and spiritual imaginations.

Watching her from the beginning is like watching your friend's daughter growing up as you were aware her shaping up.

She was shy, overweight but talented young teenager but gradually she became the Las Vegas Diva.

She may not be as fresh and exciting she once was but I am glad I saw her live in Royal Albert Hall.





fotheringay
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92.xxx.xxx.24
2024-11-23 18:01
[#2460] Linn LP12 Fans    
Thanks and understood.

After different interpretations I think we agree that there are some changes but subject to individual's perception.

fotheringay
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92.xxx.xxx.24
2024-11-23 17:08
[#2459] Linn LP12 Fans    
放不同物件在轉盤當然會改變彈弓壓力,因為不同重量嘛,很普通的常識,我只針對扭動螺絲只會改變整「抽」嘢上升或下降而調整轉盤水平,而「不會」改變彈弓壓力,至於聲音變化.. 沒有意見!
Kenny6834new
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116.xxx.xxx.119
2024-11-23 16:25
[#2458] Linn LP12 Fans    

Thanks for the input which is much appreciated.

"彈弓壓力不會改變"...Are you sure? The force from the top platter may not change much but technically when you play different weight of a record, 90g, 120g, 180g, 200g. The compressive force has, though very subtle, changed and in turn it will change the compression springs it will store and release energy.

The key is the "Spring Constant". I don't know the data from Linn. However, many LP12 users have been advised to re-calibrate/adjust the springs yearly just to make sure that it is still "constant".

I am not a technician so I won't even dare going to talk about Temperature Effects, Fatigue and Spring Life, Stress Relaxation, Spring Rate and Load vs. Deflection...and so on.

These are science. That said I believe listening to music combined with gears is an art.

It's an art of human input, machines and environment. Each gives different ingredient into this experience.

And times and times again, we argue that it may not necessarily be explained logically with science. Not everything is in need of nominal measurements.

May I quote again " 那一大「抽」嘢的重心升高 x mm 後,究竟聲方面會變好、變差、還是不變?
- 答案:很簡單,由發燒友自行去體驗、判斷,過發燒癮 ".



最後修改時間: 2024-11-22 19:13:45
fotheringay
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92.xxx.xxx.24
2024-11-22 19:12
[#2457] Linn LP12 Fans    
轉盤下面果3粒螺絲,唯一作用就係調教整個轉盤水平,螺絲扭向上升幾多,轉盤那一點就上升幾多,反之亦然,彈弓壓力不會改變,見到三條彈弓長度不一樣,是因為每點重量(壓力)不一樣!
Kenny6834new
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101.xxx.xxx.121
2024-11-22 15:30
[#2456] Linn LP12 Fans    
Sir Cheung,

Thanks for the reply and your points are noted.

Audiophile perception is a wonderful thing but at time could be such a curse!!

I am aware that there have been many discussions about the setting up of the LP12, bouncing is one of them.

I know some people would choose different grades/stiffness/length of the springs to set the bounce. Their arguments would set on the different weight distribution among the armbroad, motor and platter as discussed here before.

I don't process this kind of experience and knowledge I couldn't comment on it but tweaking to one's desire is one own process.

And I agreed with this " 那一大「抽」嘢的重心升高 x mm 後,究竟聲方面會變好、變差、還是不變?
- 答案:很簡單,由發燒友自行去體驗、判斷,過發燒癮 ".

More often, if not always, self-convincing plays a major factor in how we perceive the changes, then the excitement.

I suppose, this is the reason why so many Hi-Fi gears manufacturers could survive and some couldn't.

Audiophiles are indeed substance addict(in Hi-Fi terms). Moreover, many are willing to join!!!
fotheringay
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92.xxx.xxx.24
2024-11-18 17:50
[#2455] Linn LP12 Fans    
> [#2454]

Thanks for your reply.

I am afraid that the following saying is a misconception among quite a number of audiophiles:
'By turning the three locking nuts up with the same number of turns (i.e. same upward displacement of the three locking nuts), the three springs will get tighter, and vice versa.'


Regarding that common misconception, perhaps you can consider to take a look at the following posts:
[#2400]
[#2401]
[#2403]
[#2404]
[#2405]
[#2406]
[#2407]

Thanks again.
kt66cheung
個人訊息 正式會員
218.xxx.xxx.115
2024-11-18 15:51
[#2454] Linn LP12 Fans    
Sir Cheung,

That's correct.

I just do what we LP12 users would normally do as the Ariston is of similar design.
fotheringay
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92.xxx.xxx.24
2024-11-18 14:51
[#2453] Linn LP12 Fans    
> [#2452]
"un-turn the nuts on the springs by 3 half turns", as mentioned.


Do you mean you "un-turn the nuts on the springs by 3 half turns" so as to decrease the tightness of the three springs to a certain extent?
kt66cheung
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218.xxx.xxx.115
2024-11-18 10:13
[#2452] Linn LP12 Fans    

With the SAEC 407/23 arm I thought the sound was a little "tight" and it has to be "loosen" a little bit to allow more "Air" in the music.

I normally put a acrylic plate(or a flat record) on top of the platter but this time I just use the felt, just like the LP12.

I also un-turn the nuts on the springs by 3 half turns and I think it sounds much better(may be just mentally!!!)

May need more tweaks but settling for now.



fotheringay
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92.xxx.xxx.24
2024-11-16 01:26
[#2451] Linn LP12 Fans    

Though I use CD and Digital Files with a cheap Schitt DAC I am still very much a vinyl records enthusiasm so it's time to use two turntables again.

So I have two Ariston turntable, one RD11s and the other one RD80SL.

RD11s will be using the Fiedelity Research FR-54 heavy arm with Denon DL-102 Mono cartridge. The RD80SL will be using the SAEC 407/23 and the Ortofon 2M Blue.

I used to own many Linn LP12 and still have many parts. I had upgraded the springs on Ariston to the Linn ones which are much stiffer. It still needs more adjustment with the springs to get the right sound.

More music with my second Ariston turntable, especially females vocals as I was tidying up the female vocal collections.

I haven't heard some for some times now, so more to come soon.













最後修改時間: 2024-11-15 06:46:21
fotheringay
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92.xxx.xxx.24
2024-11-15 06:33
[#2450] Linn LP12 Fans    
Richard,

Not a joke at all.

There is always something to learn only if we ask.

Many bright ideas in history were all starting from silly thoughts.
fotheringay
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92.xxx.xxx.24
2024-11-14 22:46
[#2449] Linn LP12 Fans    
Thanks, Chi.

I just searched the Vinyl Engine and the sharings about this light-wright tonearm ADC Alt-1 vis-a-vis the heavy-mass MC head Denon DL103R. It seems all point to the fact they are mutually exclusive. What a joke I was making.

I just skip this idea. Let the 103R continue to be housed by a Technics tt. :)

最後修改時間: 2024-11-14 21:52:46
rcwy
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86.xxx.xxx.102
2024-11-14 21:51
[#2448] Linn LP12 Fans    

Richard,

I have used the Systemdek and the ADC LFM-2 (upgrade version of ALT-1).

The materials on the Systemdek's plinth is something I didn't like. It feels like glue of sticky stuff. That said it was a perfect match with my Hadcock GH-228 Export which I used at eh time. It was so musical.

However, the ADC is built from the late 70's to 80's and is mainly for the popular low mass MM cartridges most people used.

Your Denon DL-103R is a Medium/High Mass MC and I am afraid it may not be a prefect match. However, if you have them why not installing them to try out.

I used the ADC LFM-2 with a heavy Toshiba Direct Drive. Funny enough this deck is heavy but it will only sing with low mass arm, like ADC, Hadcock, Mission 774 and Infinity Black Widow.

I bought the ADC specially for the Toshiba. I had good result with a very light weight Benz Micro MC Gold.

If you have more time and thougt you could try it too since it's a very cheap but good sund cart.







最後修改時間: 2024-11-14 21:28:55
fotheringay
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92.xxx.xxx.24
2024-11-14 21:25
[#2447] Linn LP12 Fans    

@uat506

Thanks for the kind words and sharing of your experience is much appreciated.

Perhaps people at R33 know that I am everywhere here with many threads. Guess life in the UK is too simple and quiet.

Life goes on and music will stay with me for a long time...........









fotheringay
個人訊息 正式會員
92.xxx.xxx.24
2024-11-14 21:10
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